MAGNIER

Power, Movement, Light, compose the triad of a work where energy breaks in extreme glares of colors. A fugitive perception of the dubious forms which are extracted from the moment to strike our imaginary and our sensitivity.
The Curve, which it opens towards outside or that it unrelentingly locks up in its centre, is essential like the only viable trajectory, vector of all the evolutions, for beings tended to the extreme. By the light which transpierces it, the subject is withdrawn from its environment, is insulated in our glance, not to be more whereas by its movement.